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Fullani – フルアニ

I contend that nothing good ever comes of a story that begins with the words “So, this one time, I was on Hongfire.” And nothing proves this more than the tale I am about to tell. Be mindful that this post is not only possibly not safe for work, but probably not safe for you either.

 

So, this one time, I was on Hongfire. I had made this egregious mistake earlier this week while searching the vast and wondrous internet for mahjong games that I hadn’t seen before. I had already beaten a fairly high ranking guy on Tenhou and the day before had beaten a ridiculously hard AI on my iPhone mahjong app and so, feeling naively confident, I decided to hunt for a more “worthy” challenge. Clearly, as you can tell by the tone of my writing, my hubris would best me in the end.

As such, I had exhausted the google’s normal searches and had even looked through several nefarious downloading sites when I remembered that a friend of mine, who likes japanese things quite a bit, had used hongfire in the past. “Golly,” I said, “I bet there might be a game or two on there!” Thus, I traveled to the old HF and searched for “mahjong” which lead to several single posts (because I don’t know how thread view works in searches) which called me to download a game called Fullani. And being the aforementioned confidence guru of the moment, I threw caution to the wind and just downloaded it, sight-unseen, and went about my business waiting for the 1.6 gigabyte monstrosity to finish.

Hours later (hooray for low seeding torrents), around midnight, I remembered my little game and set about installing it in my virtual machine. At this point, I should have sensed that something was off. It wasn’t the fact that the installer was all in Japanese, a language I have a kindergardener’s listening and a preschooler’s reading comprehension in, no, that was to be expected; it was that the splash screen behind the ever growing progress bar was covered in a bunch of anime girls. Young, nubile, anime girls.

'Nubile' may be too generous a word

Now, I know what you’re thinking, “Tsunami! You fool! Don’t you know this must be one of those weird Japanese sex games?” And, but for a moment, this thought crossed my mind. But understand, I had played a mahjong game before which had some women of the voluptuous variety in it and the worst that happened was that when you won, you got money to buy them bikini’s (also a japanese game, this is a trend). “Surely,” said I, “Surely, there would be no reason to have a game in which you play mahjong, a game similar to rummy played with tiles and used for gambling, to also be an eroge (an erotic game).” And as those words fell past my lips, I heard the universe chuckle to itself.

Undeterred by this, I set about playing the game. The screen darkened and suddenly I was privy to a scene of a young man hunched over his computer, playing an RPG in the dark. The scene was fully animated. “Woah! An animated game! Thats pretty cool for a mahjong game,” I said, now understanding the large file size. And it was animated, just as a normal episode of an anime would be. While contemplating if perhaps other games out there had this level of dedication of their development staff, there was suddenly a knock at the door, in the game. Our unnamed protagonist, leaves his dungeon and goes to answer it. Flinging open the door, Lo! his unseen-sister’s tsundere friend has come to seek female company for the evening. Or something to that effect. Being in Japanese, I started filling in the bits of the dialogue I didn’t understand with my own words, making sense of the situation. This point becomes useful later on as I will interpret any dialogue I here in the way my brain did.

As the boy stands there, like a moron, with a girl I suppose he has a crush on in the doorway, telling her that no, his sister isn’t here she’s off… buying tiger meat supposedly, a storm begins to brew! Oh readers, the maelstrom is sudden and catches our couple off guard. A cyclone evolves above the complex and a sharp clap of thunder startles the young maiden, thrusting her into the unwilling arms of our boy hero. Of course, being tsundere, she punches him for his obvious use of weather control to make her do such a thing. But before he has a chance to tell her where to get off, a bolt of lightning strikes the building and, lacking a UPS surge protector, opens a portal in the computer, sucking our characters screaming into the abyss. Cue lighthearted opening credits!

At this point I am a bit bewildered. Questions run through my head. Why would lightning cause that to happen? Where was that guy’s sister? How come this opening has this princess looking chick and the tsundere girl fighting over the guy? Where did that cat girl come from? Why does this song sound so generic and trite? Why does this opener seem to be focusing on tsundere-girl? Things like that. But mostly, I was thinking, “Cool, if this game has an opener, then I guess I am in for a long and difficult mahjong challenge… oh right, this game was about mahjong wasn’t it? Hmm…”

However, my lovelies, my thoughts were interrupted by the show, er, game starting back up again. Our hero has been dumped into the middle of a forest, dressed in the clothes of his RPG character. What a twist! He has been pulled into the world of dragons, of arcana, of knights and heros! What shall he make of this!? Let us listen to his introspective monologue!

“Hmm, where am I? Man, these clothes are weird. And there seems to be a castle over there. Huh.”

At this point, his investigation into his whereabouts and circumstances comes to an abrupt end. As far was I was able to tell, not once in the rest of the game does he question this again. We have come to the literal end of the amount of care that this man can give. But fear not, we need not dole on about his lack of self-awareness because suddenly a bat-girl!

Kids these days, with their short skirts and horns.

A purple-haired bat-girl saunters up to our hero as he continues to scratch his head and sit on the grass. She is sporting a purple skirt and a top not unlike the bat girl from Persona, who’s name escapes me, consisting of a leather, strapless bra. “Hello,” she smiles cheerfully, “I’m rulururulurulru (sp?) blah blah blah blah.”

“Oh, I’m o_Onameredacted. You’re annoying”

*huff puff*”Well fine then, I didn’t want to talk to you anyway. But, since I’m here, I should tell you that in this land when a boy and a girl meet like this, they must KUNGFUFIGHT!” She smiles again at his bemusement. “With, mahjong!”

And thus, the first game of mahjong begins! “Hooray! Finally,” I cracked my knuckles and prepared for a challenge. The game proceeded to tell me all the rules in the familiar, un-decycpherable moonrunes known as kanji I have grown to know and love. But, despite not being able to read, I knew the rules well enough for mahjong and so I skipped to the playing bit. The playing field was a weird, unknown to me, variation of Japanese mahjong with only two players, myself, playing the dashing young knucklehead, and the bubbly Dracula. Every few draws, she would make some sort of squeaky noise that, as I have learned from unwanted experience, the typical Japanese nerd find adorable. After only a couple draws I had a ready hand and declared riichi (that i was ready for the winning tile) causing Ms Bat Flaps to pout. Soon she coughed up the tile I wanted and I called ron (I win). And that was when I realized my terrible, terrible mistake.

Her bra popped off.

Mahjong tiles and bra clasps are quantum entangled

For a few moments, I sat there blinking. Long enough for the hands to rest for the next round as I had not yet depleted all her points. Had that been…? Was that..? Wait, is this a…? And then it dawned on me. I had an eroge and didn’t know it. “Oh no,” I hung my head, “I have one of those games that my friend likes a little too much. I should stop playing.” “Wait!” cried a voice in my head, “maybe this is just like strip poker. You win, she removes clothing. Take all her points, move on to the next opponent, leaving her presumably naked by the side of the road with a valuable lesson learned.” “Hmm,” I replied, “you may be right.”

So I continued. Her bra had been replaced and all was well once more. I may have even over-reacted. Maybe it was just a little naughty to keep the nerds playing. And soon I completed another hand, hitting the draculina with a 18,000 point haneman, draining her of her remaining stock. The mini game ended.

Back to the anime, she pouted a bit about losing and suggested that the guy go into the castle. A reasonable assumption, I thought. Then the scene cut again. The cut was such that you could tell that it was one of those scenes that depends on the outcome of a fight or a mini-game. “Uh oh,” was my only thought as the bat-girl took hold of the guy’s hand, flying him and herself to the branches of a nearby tree.

Within moments, she had him mounded and said something I didn’t understand. I can only assume that she said something to the effect of, “You have bested me at the honorable game of sparrow tiles with your haneman hand. You must SEED MY WOMB!”

And thats just what he did. In a tree.

Pictured: Wood

When he had placated her, he got down from yonder branches and began towards the castle. The winged wench, who I guess sleeps with every man she meets because she sucks at mahjong, says something snarky about his sword and the scene ends. We never see her again.

Here is where I considered stopping the game. I thought, “Ugh, is this going to be the whole game?” Then I took the plunge. “Whatever, in for a penny, in for a pound. Lets do this!”

Our hero enters the castle and takes a look around that the abundance of not-people present. A curious situation for a castle to be in to say the least. He starts the old brain turning over, but before he has a chance to reclaim his cognitive functions from his recently used nether-regions, he hears a cry for help. Bounding up the stairs, he finds a young princess, who looks a lot like tsundere-girl, being accosted by a dragon, or lizard man, or something. Regardless, she is holding him off her with her arms despite his biceps being larger than her head, but she requires assistance. After insulting her for bothering him, smug boy draws his sword and in one arching blow sends the fiend screaming down the middle of the spiraling staircase, because he can do that now.

He's too busy ogling to bite her head off

The princess, showing her appreciation for the saving bit and for the insult, flees up the stairs and out of sight. The hero again is confused, but I have a feeling that this time he was really confused as to why she didn’t want to play mahjong so he could bone her. I certainly was. At any rate, he gives chase, but loses sight of her. Stopping to catch his breath on a landing, he heard a door open. A lady, dressed like a green nun, appears from the portal wondering who he is. He explains that he was looking for the princess because he had just saved her and stuff. She says that she probably returned to her room but before he goes, would he mind staying a bit and playing some… mahjong. Gulping, and clearly not wanting to upset the greater deities of this realm, or more likely wanting someone with less bosom than the one being offered, he tries to decline. This attempt fails.

The minigame begins. This time the game explains that you can buy superduper tiles for the points you collect. Using the powerups you can make winning (or simply not losing) a lot easier. I thought that was kind of novel, but had no interest in cheating so I skipped to the playing part. The nun whimpers and mutters a lot but does little else. Soon I have a ready hand and I cringe thinking what terrible thing might happen when I win. Will her bloomers suddenly explode? Will a thousand moths descend from heaven, rending her garments so that I may sneak a peak? Turns out, no. Nothing happens. I breath a sigh of relief. The next hand, I haneman her too, I swear on accident. and take her precious points.

The minigame ends and we are back at the stairwell. The nun looks sad, but our hero, pure of mind, decides it is best to continue up the stairs. No sooner does his foot touch the first step than he hears those terrible words, “Before you go, could you look at this?” And behold! She has pulled up her long dress for easy access! “Ugh!” I cry, throwing up my hands. “How does this even make sense!?” But remember, our boy has a pure heart about this nun plowing thing, so he does the only honorable thing he could do. Just gives her cunnilingus.

"Oh dear, I seem to have made a mess on the floor. Could you get that?"

That completed, he moves on up the stairs to a closet where he hears the muffled cries of a princess in distress. He bursts his way in and witnesses said princess being tied up by a cat girl. “How dare you!” He cries, and lunges for her. Then mahjong!

Events here are cloudy. Partly because I had done this song and dance twice before, but mostly because the woman kept making nya nya noises like Digiko from Di Gi Charat, which was unnerving. I quickly defeated her and untied the princess who ran away again. She seemed like a very confused person to me. As soon as she left the cat woman moved between Mr Cool Pants and the door, shutting it. You can imagine what happened next. I don’t know, I decided to take this interlude to start tweeting this ridiculousness to the world.

I came back to the game when the hero had found the princess caught and bound (again) by a young, a very young, sorceress. This wizard had an amusing item with her: a staff with the bust of a chicken on the end of it, whom, it seems, had a bone to pick with the princess and made fun of her by growing boobs.

You thought I was making it up

Heroman steps in and a mahjong fight ensued. This time I decided to get one of the superduper tiles, jsut to see what they did. I purchased the most expensive one and started the game. Turns out, it gives you a four wind yakuman starting hand with an incomplete pair. Within five turns I had drained her of all per points–roughly twenty seconds. The game over, the boy untied the princess who fled. “Next time I found her I will give her a stern talking to about manners,” I said to myself. The young wizard though, too young for the obvious choice of mahjong-reward in this world, decided instead, for the sake of modesty, to just sit herself down on a pillow, spread eagle, and pleasure herself to ecstasy through her undergarments. For the hero’s benefit of course. And having been given such a stunning and emotional show, one that caused the performer to pass out from exhaustion, our man did the only thing a gentleman in his situation would do: he turned and walked out of the room without a word.

Pfft, I don't need this

Up the stairs he bounded. Up to the very, very top of the castle. Flinging open the doors to what could only be the throne room, he stopped cold in his tracks. The princess and the nun from before were beind held by what seemed like some sort of magical force to the ground in humbling and undignified positions. Drawing his sword once more, the dashing warrior sped into the room and demanded an explanation from whoever was doing this. A dark figure rose from the throne (couch). Stepping into the light, she is revealed as an evil enchantress! She explains her dark and ominous plan to the boy. “I was planning on taking over this castle and the whole kingdom you see. I have moseyed into an unguarded fortress, sent my three minions to try and kill the princess but now I see they were failures and I shall rectify this.” “Not if I stop you!” cries our courageous lion of a youth, leveling his sword at her face. “Oh ho,” she retorts, “if you want to beat me, you will have to do so, WITH MAHJONG!”

"Get off that throne.. couch.. before I mahjong you to death with my riichi stick!"

And so, throwing any amount of sense he had to the four winds, he engages her in a pitched battle, which I won for him in two hands. I should point out that this witch would spend literally ten seconds saying the word “riichi” in the most un-sultry sultry manner she could muster. Having bested her, she was defeated. Oh wait, no, that didn’t happen. Instead she turned our hero, through mind control, into an ottoman and sat on him (not in a sexy way). But realizing that she was breaking the great traditions of the land, she decided to pleasure him with her mouth instead. On the throne-couch. Then she moved on throwing her whole self into the act. But wait! Our boy decides, no! he will not stand for this diminishment of his station and puts her on the bottom, having his way with her. The witch, pleasured beyond the measure of reality, sinks back on the now sloppy wet couch and decides that getting boned is a much fate than being ruler.

Meanwhile, the princess, being freed from her bonds, walks up to the guy and, without a word of explanation, slaps him. Then runs away. I can only assume that she was mad about the couch getting ruined. I say assume because THATS IT. The credits now roll.

"Do you know how much Febreze that's going to take?!"

And as I sat there, watching the credits, I realized that this had possibly been one of the worst wastes of time I have ever taken part in. First, the tsundere-girl, despite being the main character in the credits, is never seen again. Could she be the princess? I guess thats possible, but we don’t know because she kept fleeing. Second, the logic in this magical kingdom is screwed up twelve ways to Sunday. Mahjong ends with someone getting money, not someone being offered to deflower young maidens in the prime of their youth. If that were the case, I would have no problems getting more players in town. Third, that was the worst coup in the history of ever. “I was going to using my arcane magicks and demonic powers to take over your kingdom, but since you bested me at mahjong, I’d rather suck your dick,” is not proper military strategy! Finally, The developers completely wasted their time. They built a mahjong AI, calculator, special tiles and power ups, none being a simple task, for a total of five battles! Why!? I can not fathom it.

So did I learn anything from this game? Yes. I have learned two very important lessons from this game. One is that eroge are stupid and the people who play them are clearly insane. But more importantly: never, ever, download anything from Hongfire.

Rating: ★☆☆☆☆

It takes a special kind of book to make me read it more than once. The Count of Monte Cristo for example, is one of those rare examples of literary work which somehow strikes home  and delivers something unexplainable that compels me to relive the adventures and personal stories of my favorite characters. And even as good as Monte Cristo is I have only read it twice. In fact, I can count on two hands the number of books I have read more than once and can count on one hand the number of books I have read more than twice. So, a week ago, when I put Usagi is Dead down for the twelfth time, I decided that maybe I should devote some time to writing a review for it.

Sailor Moon

The face of terror

Usagi is Dead Usagi is Dead Hip Hip Hip Hooray by Dark Day for Anime (Mark Page) is a curious sort of thing for me to hold in such high esteem. For starters, it is fanfiction. The mere mention of that word usually sends anyone with an iota of self-respect and literary decency screaming for the hills or draws those with a certain disregard for mental preservation and sarcastic tongues to crowd around it, pointing and laughing. Second, it is a fanfiction of Sailor Moon, an anime that by any standards is a generic heap of silliness filled with “large-eyed, big breasted, pre-pubescent cartoon girls with legs up to their armpits” battling the evil forces of evil in generic Tokyo-land. Why is it, then, that given these two enormous pit falls, I would choose to read this again over reading basically anything else? Lets go on a little journey to find out.

Back in 1998 there were only really two ways to reasonably get at anime: VHS bootlegs and cartoon network. Being a n00b, I was inducted via the latter of the two into the world of Japanese silliness. At the time, there were only a couple of shows on TV. Among them were Sailor Moon and Dragonball Z. I loved my quaint and ridiculous shows and, even though they aired bits of them because not all had been translated and dubbed into English, I wanted to know everything about them. Thus, using our dial-up internets for all they were worth, I got on the various fan run web-rings (remember those?) and read up on all the nifty sections of the shows and the comics that I thought I would never see. And then, oh, and then I discovered the fanfics. How young and naive was I? Very, to both. I read tens of fanfics, and not just of those two shows. I read stories made up about shows and franchises I had never heard of before.

Then, one day, I found a funny story called Goku is Dead. The story was a tongue and cheek parody of the way the main character of DBZ dies a lot but never really goes away, always resurrecting somehow. So at the end, Goku decides to use the dragon balls to wish for himself to leave existence and everyone breaths a side of relief. I only remember any of this, because at the bottom of the story, in the ever present author’s notes, was the following: “This story is based on the Sailor Moon story ‘Usagi is Dead’.” “Oh!” said I, “This story was funny, and I like Sailor Moon, I shall go and see what this other funny thing is!” But it was nothing like the first story. It was nothing like a small, one shot fiction. Nor was it funny. Nor was it cute. Nor was it anything I could have possibly expected.

Standing in at twenty chapters and roughly 375 pages (8.5×11) and finished, Usagi is Dead already stands out in the world of fanfiction. There are very few stories on fanfiction.net which can boast of such length. Even fewer that can have such length, and such complexity while being exciting, interesting and original.

Usagi

Vengeance comes from where we least expect it

If you know nothing about Sailor Moon, let me catch you up real fast. The titular character, Sailor Moon, is a girl named Usagi who turns out to be the reincarnation of the princess of the ancient Moon Kingdom which ruled over the Solar System millennia ago. She and the reincarnated soldiers of each planet are all the best of friends and make up the Sailor Senshi to defend Tokyo against evil.

At its base, Usagi is Dead, even according to the author, is about Usagi “hatcheting” the other Sailor Senshi and it doesn’t bother pulling any punches. The very first chapter is dedicated to Usagi, having been killed by unknown means, visiting the place of her death as a ghost. When she goes to find her friends, she discovers they are having a party in celebration of their having successfully plotted and carried out her execution. Shocked and dismayed, she returns to the school where she died and finds an old enemy who offers to give her spirit a new body. With the body she vows revenge against the rest of the senshi who betrayed and murdered her in cold blood. From there the readers are introduced to a mind altering space parasite, Sailor Pluto’s half crazed sister, time and causal loops, a dimension spanning eternal city, a mentally unstable Sailor Saturn, enough blood and guts for a whole family, and an unending number of Usagi clones. And then things start getting weird.

So without spoiling too much of the story (which wouldn’t really make a difference, since I’m positive it wouldn’t make sense out of context), why is Usagi is Dead so good? There are several reasons. First, the complexity of the story. Second, the characterization. And third, the originality.

The complexity of the narrative of Usagi is Dead is astounding. Around chapter 11, the book has seven simultaneous plot threads going, all of which started with Usagi getting killed. These plot lines are all contingent on each other, each providing story or characterization not only to their own participants but to the actors in other threads. The amazing thing is, it is not confusing.  Usually, if even seasoned authors try this, it becomes hard to follow all the threads going at once, but here it seems to flow naturally. By chapter twenty, all the plot lines weave back together to form the conclusion bringing the whole book back full circle.

Saturn and Pluto

The other side of the scales

The characterization is perhaps the strongest suit of this book. In the original series, and in the manga, the characters we are presented with are almost entirely one dimensional. Usagi, for instance, is the epitome of kindness and self-sacrifice, bestowing her power of friendship upon all she meets. In Usagi is Deadthe character of Usagi find herself betrayed and murdered by those she considered the definition of friendship. Her character becomes a duality, literally, between a dark and vengeful side along with a side which wishes to reconcile the sad truths she faces and her inner need for gentle compassion. Hotaru, Sailor Saturn, who could be considered the other main character, mirrors this struggle, only hers is within herself and not extroverted between clones. We are introduced to the normal Horatu in the present as she is in the show, a weak, shy girl who does not want to get into any conflicts with those she considers her friends. We are then introduced to the Hotaru in a future timeline who is takes introversion to an extreme, a cold, merciless killer for hire named Black Saturn. The future Hotoru must come to grips with what she has become after the events five years previous.

Sailor Saturn

Why is the soldier of death not allowed to die?

The other senshi too are all explored. Their thoughts and motives throughout the ordeals they are faced with flow naturally without any kind of awkwardness. They ask some fundamental questions of the universe in which they live. Why must we die over and over only to be reborn? What is the meaning of our lives and relationships when there is no end to existence? Are any of us really in control? What is destiny? All these questions are explored at varying degrees by these characters who live in a world where such questions are perfectly reasonable and expected.

Finally, there is the originality of Usagi is Dead. First, there is the character of Naiad, Sailor Pluto’s sister, the principal antagonist of the book. She is brought into this fanfic with such a force and with such a detailed back story that it is hard to remember that she is not actually from the main canon. Her powers, motives, and relationships are all contained only within this book yet, after reading it, you can go back through the canon and point to sections where you can say “Yes, Naiad had some influence here.”

The originality does not stop there. This brings me to what I think makes me like Usagi is Dead so much. In short, this book, with its twenty chapters, rewrites the Sailor Moon canon and makes it better. The original canon is one dimensional, with a flimsy back story that does not give much weight to what it presents. Yes, there was a moon kingdom, but why? Why did it collapse when it did? Just because Queen Beryl (a canon antagonist) attacked it? Where did the senshi get their power and who got to become senshi? What were the politics like? How did the royalty function? Usagi is Dead asks and then answers all these questions with style. It imagines long dead wars, rites of succession, an academy, the harnessing of systems’ elemental powers, power struggles between factions, castes of miko, circles of senshi, and more and more and more. And nearly none of it is told as exposition, but through narrative, through the reliving of past lives. It brings life and an organic history to the Sailor Moon canon which didn’t exist before. And the best part is, it makes sense. Usagi is Dead does not just make up an alternate universe, it explains things in the canon that were not explained in a way that adds depth and richness to an otherwise shallow series.

Of course, all that is not to say that Usagi is Dead is without its faults. It certainly has them. Owing to its fanfic roots it has many references to other anime fandom (specifically in the Usagi clones). The chapters are not all structured using the same style of paragraph breaking and scene changing. It uses a large amount of Japanese honorifics which today is consider “weeaboo”. And perhaps its biggest short fall, there is an unfinished sequel. Thankfully, the sequel is unneeded to enjoy the primary story.

Inners

If this were in the book, it would get nasty fast

So, would you enjoy Usagi is Dead? Well, let me tell you a story. Since 1998, when I first read Usagi is Dead I have read it twelve times, almost once a year, and it has yet to get old. I have shared it with many people and except one person who didnt care for the fact that some friends killed one of their own (she didnt bother reading past ten pages) every single person who has read it has liked it. It doesn’t matter if they knew anything about anime or Sailor Moon. As I stated, since it basically rewrote the Sailor Moon universe, outside knowledge, while helpful, isnt needed. Once, I even took it to a church camp to read while there and the teenage boys who, at first, were repulsed by the fact it bore the distinction of being about Sailor Moon, a girls show, suddenly showed interest in such lines as “They too, exploded.  They oozed across the floor, their constituent materials being reduced to a oozing red soup that Usagi disdainfully turned from” and subsequently came to read the whole thing. So yes, I think you probably might like it if you gave it a try.

For my part, I love Usagi is Dead. Its complexity, originality, and characterization are, to me, now so much part of how I see the Sailor Moon universe that I can no longer divorce them. For me, it is Sailor Moon. It also ruined any fanfiction I read afterwards. Having know what a truely well done fanfic was, I could no longer read bad or mediocre ones without comparing it to Usagi is Dead. In fact, I compare my own works to Usagi is Dead to see if they measure up. If something I write can be as compelling, complex, and original as Usagi is Dead, then I would consider it a success. I can tell you this as well, should I ever have the money, I would like to purchase the rights to Sailor Moon and make a mini-series based on this book.

So then, if you are in the market for a dark, gritty tangled-web of magic, murder and mayhem which centers around teens in short skirts leveling large sections of Tokyo in huge, incandescent fireballs, if you are interested in mind games, space aliens, demi-gods, and enough blood and guts to make a butcher blush, then my friend, have I got a book for you.

My copy of the original DDFA site for UID. (recommended)

Rich text version.

Fanfiction.net version.

Rating: ★★★★★

Site Revival

I think it’s fair to say that it has been a while since I last wrote on this site. To be honest, there hasn’t been a lot in the anime world in the last three years that really interested me. The tastes and styles of shows that I prefer have somewhat changed in the time since my previous post and as such, most of the shows that Japan was putting out were, for lack of a better word, trite.

Things changed over the last few months. In January, I decided, on a whim, to watch the most ridiculous anime to have yet come out: Panty & Stocking with Garterbelt. Expecting it to be complete and utter trash, I found myself bemused by the statements the creators were making with their art, as horribly obscene as it was. This bemusement confused me as the show was obviously just a mass of crass and juvenile humor that was marketed towards adults.

In answering these questions about anime as an artistic and cultural expression, I chose to watch some of the series that have come out recently. Not only that, but I started viewing media as a whole in a new light: not simply as “was this show entertaining to me”, but as a medium for conveying thoughts and ideas, or telling tales, that surpassed simple surface acknowledgment of it’s perceived entertainment value.

As such, I have decided to revive this poor, dilapidated site, to serve as a sounding board for me to explain my thoughts on some of my favorite shows and other works I feel are of significant value (positively or negatively) to the community of story tellers and story consumers. I also do not think that I will constrain myself to simply “anime”, but will open the site up to be more accepting of media of any source. Books, movies, TV, western, eastern, if I consume it and have a strong opinion on it, I plan on conveying it here.

At any rate, some other news. Given the above, I am not going to review every single thing I watch. That would be silly and a waste of both our times should the series be mediocre or bleh. Thus, if you would like to see what I’m watching and perhaps how I’ve rated it, visit My Anime List site which will give you some updates. I also created a twitter account to live tweet things I am watching. You can view it at @tsunaminoanime.

So, I have a view reviews that I hope to have up soonish. This site will start moving again. I hope that I can at least share my silly view points with someone out there and put a smile on their face.

Bubblegum Crisis 2040

There are few times when I watch a show that I sit there and think to myself, “Am I honestly watching this?” To which I answer, “Yes, I have no idea why but I also don’t really feel like stopping.” Bubblegum Crisis 2040 is one of those shows. I can’t think of a better show to watch and feel a constant bang of wtf-itis than this one. Spoiler: No, Silya will never get a grip (and she gets laid so don’t bother thinking that she needs to).

The Cast of BGC2040Bubblegum Crisis is a remake of an OVA done in 1992 and can best be described as an excuse to put naked girls and mecha in the same show. The story is that after a major earthquake in Megatokyo (the real one, not the pedo one), robots called Boomers become a common place necessity around the world as replacements for manual and dangerous labor. Having rebuilt Megatokyo and made it into a colossal economic hub, boomers are heralded as both great helpers to man and also as subhuman trash. Little does the populace know that boomers can go mad and start killing for no reason. A small group of women, in “hard suits” known as the Knight Sabers, fight to defeat these mad boomers and protect the citizens.

Of course, thats just the first half of the story. There’s also a lot of butt rock, some badly thought out conspiracies that never fully materialize, constant PMS, random singing that can best be described as an alto cat being strangled, and a technological singularity. But really, the only reason to watch is girls with boobs in mecha outfits.

Priss (n): See BitchThe characters in BGC2040 are all one dimensional. The moment you mean the character and note their peculiarities they will not change for the rest of the show. Silya will always be a fruit cake. Linna will never be sure what to do. Nene will be cute and a 5th wheel. And Priss will be a bitch (though she gets a soft side eventually, but you see it coming from a mile away). The men in the story either get killed, fall for one of the chicks, or run away so they don’t matter.

The realism of this show is hardly worth mentioning. At every turn there is something so impossibly ridiculous that even the best of us who can suspend their disbelief will, at least once, go “wait a minute, thats not possible!”. Thousand of gallons of liquid nitrogen freeze an entire building and its contents at one point in the show.. that is, the entire contents, minus the 5 humans who were directly below the tanks when they burst… Yeah. But to be fair, the whole concept of humans creating artificial intelligence that becomes its own species and finds itself into the world is pretty interesting and they pull it off quite nicely.

Nene is a good reason to keep watchingHonestly though, the show isn’t as bad as I make it out to be. Remember, this show was made in 1998 when cyberpunk was the style to have. BGM2040 is probably the definitive anime series of that era (the pinnacle being Akira). THe band, the bad music, the bad computer graphics, the annoying sound effects, the retarded episode titles and name plates, and the open, ambiguous ending they all make sense when you stop and think what the date was. I thought to myself at least once, “Were we really this weird 9 years ago?” And the answer is yes, yes we were. So taken in context, BGM2040 is actually a pretty good show.

Overall, even taking into account the context, concepts, and the amount of boobs, the show falls short of overcoming its mediocrity. But thankfully for people who love 1998 it just evened out. I am thereby giving Bubblegum Crisis 2040 a 2.5 out of 5 stars. “technological singularities are fun! so is impending nene + boomer rape” – From my notes on the show

Rating: ★★½☆☆

Pani Poni Dash!

Wow, its taken me a week to write this review. In that time of procrastination I kept thinking one thing: What in the world can I say about Pani Poni Dash? There’s just so much.. stuff in it but at the same time a whole show about nothing. So here is my attempt at reviewing one of the most hilarious and ridiculous animes ever. Spoilers: lawl.

Parody is what Becky is all aboutThe plot of Pani Poni Dash is best summed up as such: Genius Becky, an 11 year old graduate from MIT, teaches a high school class in Japan fully of weirdoes. Hilarity ensues. Really, thats the plot. Nothing else of significance happens in the show. There is no plot, at all. However, what it lacks in plot it makes up for in sheer amounts of funny.

Chuck Norris would roundhouse kick BeckyThe humor of this show is hard to pin down. Most of it comes from three sources: 2chan, anime and manga references, and obscure cultural references. All three of these make the show extremely unfriendly to people who have either never been near something like 2chan or 4chan or have little experience with the Japanese geek culture. There are so many of these references that there are whole wikis and documentation devoted to explaining them to the viewer. (some subbers put the notes at the top of the screen so have the pause button ready) Even so, there are enough weird antics to go around even for the connoisseur of pratfalls and bad puns.

Himeko expounds some philosophyIf nothing else, this show has some great characters. Each main character has a unique trait that they keep through the whole show. There is no development to speak of, but this doesn’t mean you cant like them anyway. The traits all come into play in the seemingly weirdest places and add much hilarity to whatever situation the cast is in. Here are my favorites. Becky is a precocious preteen who is extremely tsun-tsun (look it up) but very cute. Himeko is a complete airhead who likes crab and saying “Maho!”. However, I would have to say the best character for me at least was Ichijou. Im a sucker for non-sequiturs and Ichijou is probably the queen of the unexpected. Her quasi-insanity coupled with her serious expression and calmness no matter what happens crack me up something fierce.

Obviously this is not a normal review because of the lack of normal things I focus on in anime: story and characters. But that doesn’t mean that a show lacking in either or both of these areas cant be great. Pani Poni Dash! is something that every anime lover, internet fruit, or culture otaku (yes the descriptions are intentionally jumbled) should probably watch. Sure, you wont get half the references even if you are told what they are, but you will still laugh. I did, a lot. Therefore, Pani Poni Dash! receives a prestigious 4.5 out of 5 stars. MAHO!

Rating: ★★★★½